It starts with a roll of thunder.
At least, that’s what you think it is—a low growl through the atmosphere that seems to echo deep and low in your chest—as you turn over in bed, or perhaps as you’re finishing your last drink at a local pub with some new acquaintances, or even as you’re walking home on otherwise safe streets, lamps and moonlight guiding your path. All’s well that ends well: the city is your haven, it’s been sold to you as such, and a little stormy weather never did much harm. You close your eyes. You take a drink. You turn the corner. But the sound continues, the vibration grows more oppressive, and you may think to yourself: Thunder shouldn’t shake my nightstand. Thunder doesn’t send a pulse through the tequila in a shot glass. Thunder wouldn’t compel the asphalt to rumble and churn beneath my boots.
It all happens very quickly after that; things fall apart. The cheers of late-night partygoers tumble into a minor chord, sliding into screams—a party of five has just lost sight of two of its members as Main Street splits itself in zigzags rippling out from the city’s center. One side surges into the air as the other half plummets several feet down, small ravines forming along the thoroughfare. The damage replicates itself like dominoes, and citizens new and old alike cry for help into the empty night. Someone is hanging onto the edge of one jagged, yellow-striped mound of asphalt, fingers slipping, grip temporary. Do you know them? Do you help?
Within minutes, buildings begin to buckle under the stress of the earth shifting. Metal and concrete siding, roof tiles, window panes—what first sounds like cannon fire clearly presents itself as establishments crumbling while panicked citizens race to covered positions or out into the chaos of the openly shaking streets for any semblance of safety. “Earthquake!” You hear. “Cover your head!” The tallest buildings suffer the most damage (the bigger they are, the harder they fall). At the city’s heart, the clock tower sinks almost gently down as if feeling faint, seeking solace in the skirts of its foundation. People blink in shock as the dust rolls over them moments later. Victims covered in soot and debris, looking for all intents and purposes as if they’d been disturbed from their graves, disperse across the city, trying to reach the authorities, to find their loved ones. It’s clear that amidst the rubble, both formed and newly falling, some of these loved ones are trapped. You hear desperate, muffled calls, buried beneath layers of shattered stone and cement. Voices struggling to be heard through the ongoing shriek and groan of the earth… still… shaking. One of these voices may even be your own. Are you near? Can you lead someone to safety? Can you pull victims from the rubble? Are you, yourself, in trouble?
The city bank’s vault is loose, no doubt. The shops are in trouble, security gates destroyed. Do you take advantage while you can?
Whatever you decide, watch for the emergency vehicles and fire trucks barreling their way toward the center of destruction, rescue crews ready to spot those in need. Perhaps you can help them. Perhaps they can help you, instead. (Perhaps they can apprehend you, too, if you misbehave and don’t cover your tracks.) The rumble continues, curls its way like a fist further out towards the city limits, losing ferocity as it does, but it takes the temporary housing district for its final victim. The city’s newest arrivals won’t get much sleep tonight. Rifts in concrete walls crawl their way from the ground floors, up, all vine and sinew and spider web. Some are more severe than others. While the first floor rooms may find more damage to their walls, bedroom windows bursting as foundations tilt, the upper floors will see things end up just a hair off in balance—askew. Put a glass of water on the table, and it may not stay in one place for long. Surely the building isn’t safe enough to sleep in, not now. Can you make it safe? Can you reach out to your neighbors? How do you manage?
Three hours after the initial disturbance, long after earlier news programs had urgently advised all city dwellers to take due cover during the apparent earthquake, a crackling message filters through across television screens, electronic billboards, and on your city-issued devices. Mayor Drake sits in full view in front of the Energem, the symbol of the city, its life force. It is in one piece, from the looks of it, and so is she (if understandably haggard and dark around the eyes). “Citizens of Cadelle, as you know, we’ve suffered quite the seismic anomaly this evening. Tectonic plate shifting is not abnormal in a city so near the coast, but we had yet to experience an earthquake of this magnitude in all our recorded history. Although most of the damage was focused towards the city’s center, that center was hit hard.” The side of her mouth twitches minutely, as though she is biting back further words, and instead, she plasters on a smile of pure grit. “Our top tier seismology center is already on the case, and the administration will keep you informed of any significant findings. In the meantime, we wish to thank all our rescue workers and volunteer citizens who helped our loved ones find shelter and safety. Please be advised we will begin reconstruction of our Community Housing Facility immediately. Volunteers to assist with this project, and with the restoration of privately owned establishments along Main Street, are welcomed, even encouraged. After a more in-depth assessment, we may be able to create paying job opportunities for the duration of this project. Please stay tuned.” A constructive spin on this tale couldn’t hurt, could it? “For now, we wish for you to stay safe. Food and shelter accommodations at the public gymnasium are being made ready for those of you currently left without rooms. We apologize for the communal nature of these accommodations, but it is the best we can provide on emergency notice. We appreciate your patience, and your help.” And with that closing remark, the feed cuts. Mayor Drake’s shoulders slide out of their poised position, and she bows her head, hand over her brow. Behind her, unbeknownst to anyone, the Energem flickers—just once.
On the far side, beneath the cover of the protective wall, a small fissure has formed in the crystal surface.
A kinetic rift.
For more in-depth information about this event and how it affects your character, to ask event-specific questions, and to plot with your fellow players, please visit the event's OOC PLOTTING POST. |
daisy johnson ( ota )
b. ( ʙᴇꜰᴏʀᴇ ʏᴏᴜ ᴋɴᴏᴡ ɪᴛ ᴛʜᴇʀᴇ's ʀᴜʙʙʟᴇ ᴀɴᴅ ᴅᴜsᴛ. )
c. ( ɪ ᴘʀᴇᴅɪᴄᴛ ᴀɴ ᴇᴀʀᴛʜǫᴜᴀᴋᴇ ᴜᴘ ɪɴ ʜᴇʀᴇ. )
d. ( sᴏ ʜᴇʀᴇ ᴡᴇ ɢᴏ ᴡᴇ ɢᴏ. )
c.
there's a gash on his cheek, a present from a piece of exposed rebar that he'd run into while saving a small child earlier in the evening. it's not bleeding anymore, but he's waved off anyone who has bother to ask him about covering it. there's no need, come tomorrow, it'll be gone without a trace. he meanders his way through the crowded mass, in search of a free cot where he can lay his head down and catch a few precious hours of sleep when he finally sees her. he'd recognize that head of hair anywhere. daisy's eyes are shut, one arm resting limply at her stomach, and the other is bent behind her head. he lets out a sigh of relief, a breath he hadn't know he'd been holding in. robbie drops to a kneel beside her.]
Glad to know you're not still out there... [trapped or worse dead is what he doesn't say, but thinks in his head, brow furrowed as he catalogs her appearance.]
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b
( It's easy to feed off someone's tension, moreso when your own is bubbling under the surface, the result of falling from heights that hurt no matter how reinforced and ~beyond your body is supposed to be. Kate probably - okay, definitely - shouldn't growl and snap at the girl like a wounded dog, but reflex wins out, the one that says that this is a disaster and she doesn't have time to deal with people trying to play hero. )
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i'm so sorry for her pt 5000
no it's okay i love her.
i can still be sorry tho
then i accept. :c
<3
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c
That wouldn't do here. There was a distinct click of heels as Glinda walked through the gym to check on others, Grimmerie held tight against her chest with one hand, wand in her other. She stops just in front of the other woman, sinking to her knees so she's looking up at her rather than down, skirt pooling around her.]
I just wanted to check if you have any wounds... If there's anything I can help with?
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kimberly hart • open
( o2. ish. )
You're okay.
( For someone who finds it difficult to make friends, Clary's ride or die the minute you are one, and so her concern is real and legitimate as she pulls back, eyes roving over Kimberly's face. )
I checked the apartments and I couldn't find you. ( And she was clearly very, very worried. Worried enough that she's still holding on to her friend. At least she doesn't look too worse for wear - neither of them do - the only sign Clary's been caught up in anything is the dirt on her clothing. Runes help. )
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robbie reyes ▸ota
[robbie's no stranger to earthquakes. east los angeles might not be right on top of the san andreas fault, but he's definitely felt the ground rumble for reasons other than daisy johnson having a bad day™. he's working out at sucker punch (it's leg day and much as he hates it, he never skips leg day,) when the earthquake rips its way through main street. at first he figures it's nothing major, a practical joke by none other than his friend and the one person he knows from home who is here, but when the screams of citizens trickle in his ears, robbie knows this isn't all fun and games. there's something serious going on, and if he doesn't do anything about it, people will actually get hurt. the prudent thing to do would be to head away from the rumbling.
but that's not robbie. he heads straight toward the danger, hopping into his charger without a second thought, and burns rubber as he heads toward main street. he drives around, eyes darting all across the road looking for people who need a way out. he spots someone looking rather frantic, face pale under the faint glow of street lamps. robbie slams on the brakes just a few feet away and leans over to open the passenger door.]
Hey. Hop in and I'll get you out of here.
ii. i can fix it.
[fade in to robbie reyes clad in a white ribbed tank, faded blue jeans, and a very necessary pair of clubmasters. the practical wardrobe probably should've been a pair of coveralls, but the weather is warm, and robbie's sweaty from helping clear rubble. he's taking a much needed break for the moment, heading toward a cooler filled with ice cold bottles of water. he pulls one from the cooler, dumping half its contents on his head before he drains the rest.
he wipes his face off with the bottom of his shirt, running a hand through his hair. it's then that he notices that a short line has formed behind him and he's (more than) kind of in the way. he has the decency to look a little sheepish as he cracks the cooler open again and offers a beverage to the next person in line.]
Sorry about that. It's way hotter than I was expecting. Drink?
iii. wildcard.
[want a custom starter, or have something else in mind that you want to run by me? swing by my thread at the ooc plotting post or contact me via plurk]
I
And he is very concerned about this car that comes to a stop so quickly near him. He frowns and leans down, eyeing the other man suspiciously.]
Getting into a stranger's car, when they are driving irresponsibly on unstable roads after such an incident?
Why do you think this is safe?
[He isn't saying no.
He just is suspicious(tm)]
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ii
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▸dos, papi.
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kate galloway. ota.
( Exploring the city by rooftop - jumping from one to another with leaps that push the muscles in her legs and the power coursing through her body to their limits - quickly becomes habit for Kate, in the same way it was back home. Finding pathways across the city to avoid the traffic down below, to get from point a to point b without having to skid to a halt for oncoming cars or weave around a crowd of people. Up here there's nothing but the wind in her ears and the thrill of making it from one building to another.
The first signs of the quake come just as she misjudges distance between two buildings on Main Street, a grunt of pain as her body flies right into brickwork and her fingers manage to grip the edge of the roof before the building shakes, trembles from deep within in a way that's all too familiar- )
Shit.
( Kate lets go without giving it another thought, pushing off the building and trying to make out the ground below her, looking for people or objects in her way, or how badly the ground is tearing itself apart.
She's seen earthquakes, been stuck underground as they've happened, but never anything of this scale. Nothing where the buildings begin crumbling like dominoes and the ground begins splitting. )
Move!
( A barked command to a person she'll hit if they don't shift, voice grating in her throat. She doesn't raise her voice all that often, doesn't let alarm tear it out of her - opts for silence and measured tones most of the time - but there's no other option as she crashes to the ground below, bones and muscle aching as they hit the pavement, shock absorbed by superhuman abilities that just about save her the hassle of broken limbs.
Surrounded by buildings that are beginning to turn to dust and ground which splits apart like the morning clouds bending to the will of the sun.
Well. Shit. )
C'mon. Got to go.
( It could be anyone, but right now? She's not leaving them to work their way out alone, reaching for an arm. They have to get out of here, now. There's no time for introductions or small talk. )
two/ it took everything to give everything
( The effects seem to dissipate the further away from the city you are, which gives Kate a moment to catch her breath. She pushes pink hair back out of her face and stretches her arms with a wince, the dull ache of crashing to the ground a still-present twinge in her limbs.
But the city finally seems still. It's quiet long enough that Kate begins to pick her way - via the streets, rather than the rooftops - towards the Gamma building. She's not sure what she expects, hopes that they're still standing but knowing her luck-
Well. She doubts that very much. )
... Gettin' th' feeling summat wants me to move out.
( Is the only comment she makes as she enters the building, slowly edging through rubble and debris. First she's given the wrong key, then comes this. The ground floor is a mess, bits of concrete making it impossible to access the stairs, and Kate exhales before she pushes it slightly, the sound of cracking plaster and the dust of broken building a cloud that falls over her. )
Guess not.
( She doesn't bother to try again, almost resembling a ghost more than a human with the sheer amount of plaster dust coating her, eliciting a coughing fit. )
three/ i'm rude but i'll give till my last dime
( Feel free to check out the plotting comment, hit me up at
leonard snart ▸ ota + starters
AND POOF! TURNED THEM ALL TO STONE.
ET CETERA.
for sara.
there is one thing he knows he can do, though.
he meanders his way to the hospital and charms one of the nurses at the front. they need help, and he's got a certain set of skills that make him pretty damn useful. it's a good match. nurse able loans him a pair of scrubs since his clothes are all covered in ash and leads him to a certain wing in the hospital.
luckily, there aren't many occupants of the nicu and a handful in the attached nursery. but there's enough little ones there that need looking after while some of the nurses get co-opted for other jobs and new parents recover and try to sort out their lives. it's been a while, but he slides into the familiar motions for caring for a tiny like slipping into a worn pair of shoes.
he's sitting in a rocking chair with a little girl in his arms, head pillowed on his chest, when he gets a text from sara checking in on him. with a free hand, he types out a quick I'm fine. Helping @ hospital. and sends it, not really thinking much of it. certainly not expecting her to come see him in person.
but she does. and he's caught flat footed and off-guard as he catches sight of her in the doorway, the song he'd been humming softly coming to an abrupt stop. ]
You could've just texted back.
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for mick.
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▸ sos heard loud and clear, over.
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Kieren Walker | OTA
[Kieren is awoken by the earthquake, nearly being shaken out of his bed. It takes him a moment to figure out what is going on, and to not panic over it. He's never been through something like this before, but after ensuring that nothing is wrong with him (no broken bones, no torn skin), he starts to slip on some clothing, and grabs his med kit before heading out of the building. He doesn't know much about this sort of situation, but from what he remembers from movies, staying inside isn't a good idea.
Seeing someone in the hallway, he reaches out to touch their arm--]
Are you okay? Have you seen anyone else?
[There doesn't seem to be a lot of damage but who knows. People get hurt in lesser things all the time.]
(b) Museum
...damn.
[Kieren sighs and shakes his head as he looks over the mess in the Art Museum. Paintings have fallen off the wall, there is rubble everywhere. Some of the canvases are torn, and he isn't sure if they can be repaired--it's a shame. Still, if they can be salvaged, Kieren is going to try.
Walking with his awkward gait, he starts to carefully pick up one of the paintings, touching the torn fabric gently.
Hearing a sound behind him, he turns--]
Can you help out?
(c) Gym
[Now this is where Kieren feels incredibly awkward. It reminds him of when they had first been rounded up and sent to Norfolk, and while that is not this, by a long shot, he can't help but feel...nervous over the situation. Gripping at his medication bag, he heads towards one of the cots in the far corner, trying to find something relatively out of the way of most people, not wanting to be obtrusive. Which, being undead, isn't always easy.]
c
There's a lot of people around, but he hadn't felt unsafe at that moment. He has his phone in his hand, having sent out texts to everyone he knows - now it's a waiting game; they're either on their way or haven't answered yet. He wakes a little later, to a bunch of missed messages and he stands up, rubbing his eyes as he looks around the room.
Kieren. In the back, towards the wall. Credence stumbles over his bag on the ground, quickly rights himself and politely squeezes himself through everyone. When he's almost there he freezes, body tense.]
Kieren, I. [He'd been so worried. He can't pinpoint the exact moment he'd let the other so deeply in or how it happened so fast, but he cares about him and he doesn't question that. Credence wants to reach for him.] Are you okay?
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clark kent | ota
b. I guess I'm learning, I must be warmer now
c. outside the dawn is breaking
d. i'll face it with a grin
c
(She's trying to let that go, but she can't. Not that easily. Cities like Cadelle and Eudio are too good to be true, especially for people like her.)
Kate drops a broken wooden beam on the ground next to her with a grunt, back of her hand wiping sweat and dirt from her forehead before she reaches towards the cooler of water, before Clark speaks and her brow cocks in near-automatic response. )
That's what you want to call this.
( It's not unfriendly, the lilt to her tone subtle, but there. )
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thom creed | ota | (cw: seizures)
b. You revived me, now I'm sure that I'm gonna be fine
c. Don't you ever let me go
d. Everything's coming up roses, shockingly better than I expected.
b!
bingo.
look. will was trying to be a fucking badass, rocking the cast, showing off his Battle Wound with pride, but even though it's only been a day since the quake, it's gotten old and fast. first of all, the cots suck ass and are uncomfortable as is. secondly, he couldn't find a comfortable position to sleep in with this fucking mass of plaster keeping his arm still, so he's running on empty (as though he doesn't do that on the regular). third? how the hell is he supposed to play his guitar now, provided it wasn't like, smashed to pieces in his apartment during the quake?
rather than draw attention to himself, will hauls himself off of his cot and heads right towards the healer in question, which, wait, isn't that ... )
Hey! Underwear dude! ( coupled with his first genuine grin in over a day, a little wave of his shitty cast. )
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lead-in to c!
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Hux || OTA
[He is trying not to panic. Gripping a drink in his hand, Hux moves to lean against a lamp-post (after checking that it was stable). To anyone looking at him, he must have looked out of place in the chaos of the street, just sipping his cocktail, but if one looked closer, they would notice his normally perfectly in place hair was out of place, and there was a tremble to his hand.
This was not the Starkiller. The world was not going to implode underneath him. But thoughts like that couldn't help but rattle through Hux's mind as he tried to find his center, his focus once more. He had been in one of the bars when the earthquake had happened; he had only barely managed to maintain his composure before it had all ended.
So he found himself outside the bar, now, staring at the chaos, finishing his drink.
He should help--he should do something.
But instead, he glances at someone moving near him and says--]
I'm almost done with my drink. Want to grab one with me?
(b) Around the city
[By the next day, however, Hux has gotten control of himself, and has settled into his normal mood. Hearing that there were rumors of people looting, and the police currently busy helping people rebuild, he thought it might be good to patrol some of the more likely hit areas, himself (he had been meaning to join the police force, after all). His blaster attached at his hip, he's moving between the museum and the bank, glancing at everyone who passes by to determine if they're trying to cause trouble.
Seeing one particular suspicious look near the bank, he quirks an eyebrow.]
Just what exactly do you think you're doing?
Claire Bennet | OTA
[Claire's awakened from the thunder. She thinks it's thunder, at first. She quickly realizes it's not. This is something else.
Earthquake.
Claire's not all that concerned for herself here, because she'll be just fine at the end of this. But everyone else? And what is the cause? Is it someone with powers? Someone like her? Or someone more like Samuel Sullivan that has the power to level this place?
She's panicking, as she remembers being buried alive with Noah. It hasn't been that long ago for her. But no, this isn't Samuel. Not unless there are a lot of evos here...and even then.
She takes a breath, and moves quickly out of her apartment and out into the chaos of the halls.]
It's going to be okay.
[She doesn't even know who she is trying to assure at this point. Or who she's talking to. But this is not something any of them should deal with alone.]
B. - Gym
[Claire's still pretty shaken up about the devastation around them, but it seems things have somewhat settled now. She feels a part of this community now, more than she had upon her arrival.
She's going around and checking on people, trying to make sure they're alright. She hasn't seen Sansa which worries her, as Sansa is the first friend she made here. But she tries not to worry too much. People need help, need comfort.
People are wounded all around her, and Claire knows she can help them, if only they'll trust her.
She comes upon someone who seems to be in pretty bad shape, but they're still conscious. She offers a kind smile.]
Hi, I'm Claire, and I can help you if you let me.
C. - Wild card
Want something else with Claire? Hit me up at
Waverly Earp | OTA
[Waverly is no stranger to dangerous events, especially not since her sister got back to town and all the Revenants showed up. Not to mention everything else they have to deal with.
She hears the thunder, and somehow deep down, she already knows it's trouble. She's trying to keep her wits about her, as she leaves her apartment. It's pretty chaotic, people are running and screaming.
The streets are splitting open outside. Waverly doesn't know where to go, but she knows she can't stay here.]
Wynonna!
[She has no idea where her sister is, but she screams for her anyway.]
B - In the city
[Having made it out of the apartments, Waverly's in the street, witness to a whole new level of destruction. She thinks she prefers the Revenants, at least that's something that can be taken care of with Peacemaker.
Natural disasters though? Not so much. And somehow this doesn't feel quite natural, does it? Maybe she's just overthinking.
There's panic all around her and she's trying to lift a beam off of a fallen guy, when something strikes her hard in the back of the head and she slumps to the ground, unconscious.]
C - Wild card
If you want Waves for something else, just hit me up at
▸ waves, don't die.
that pride turns to fear as a piece of rebar loosed from its cemented placement swings around, nearly skewering one lucky citizen who manages to duck out of the way only to strike another in the back of the head. kara watches with wide eyes as the girl crumples, head lolling to the side, and she knows without a second's hesitation that this is the time to step in — or fly in, as the case may be.
with a hesitant, gentle touch, kara slides one arm under the girl's knees, the other cradling her neck and head; only once she's sure the grip is secured does she lift off from the ground, flying slow and steady until she's clear of the damage, lingering just above the quiet park outside the hospital. if this girl is okay, perhaps just a little dazed from the impact, the peace will do her good. if she needs more than the fresh air, at least there's emergency crews nearby. )
Hey there, ( supergirl's voice is soft and quiet, her boots echoing a soft thump as they land next to a bench. it's a good place for kara to settle her down, careful to avoid bumping what's sure to be a bad bruise (if not worse) against the wood as she does so. ) Can you hear me?
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will — ota
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it's enough to spur her into action, untrained gut instinct directing her to curve slim fingers around the barrier of asphalt, scrambling effort to break it apart, pull the pieces out of the way. it's slow going, but she's trying, okay? ) Just hang in there, okay? I'm going to get you out of there, okay, just — stay with me, okay? ( so reassuring. she really doesn't sound like she knows what she's doing, and if she's totally honest, she doesn't. without jason's leadership keeping her focused, kim feels a little in over her head, like she's trying to save the world all on her own. not exactly a good feeling in the middle of a crisis.
somehow, her brain remembers a lesson from a cpr class she'd taken one summer, when she was trying to increase her babysitting fees in order to earn gas money for beach trips with amanda clark. a lifetime ago, it seemed like, but hey. at least she remembered it. )
Can you, uh, can you tell me something about yourself? What's your name? ( ugh. lame and lamer. ) You're supposed to try and stay awake...
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credence barebone | open
two slumber party
three - wildcard
two
[Matt wets his lips and fiddles with the sleeve of his hoodie.]
Things fell over at mine. Some busted glass. I'm not the best judge there.
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steve rogers | open
[ Steve's not a stranger to destruction and mayhem. It's like the Invasion all over again. Except this time no portals opening up in the sky. No aliens streaming in. Just an Earthquake. Which he can handle. For the most part. Once the shaking stops. He shouldn't suit up, but it's been with him since Eudio. The patches are missing. The things that made him Captain America stripped away by Steve's own hand. He's not Captain America anymore. He made sure of that. Right now he's just a citizen that wants to help.
When the dust settles in his apartment he dresses. Quickly. His door won't budge though. He could spend time trying to do that or he could pop open his window and dive out it like he's not on the sixth floor. This would be better with his shield, but Steve tucks and rolls once he hits. He doesn't even stop. Once he's on his feet he's running. Arms and legs propelling him forward as he gets on the move looking for anyone that could use a hand. ]
b; begging you for mercy (for patty)
[ It's not been easy. Builds damaged. People injured. This place is definitely in a state. How they weren't prepared for something this vicious is beyond him. Then again it's hard to really plan for this. All you can do is hope for the best and deal with the aftermath. This place must be really different if it's subject to things like this. Eudio never had problems like this. Not that he really encountered there at the end of his stay.
At some point during the day he's helping people trapped in a store front. A large column supported on his back as he bows. Attempting to make a small archway for the citizens to get through. ] Move, move, move. [ He shouts. Dust and dirt cover Steve by now. There's a few cuts and scraps, but nothing he's not handled. Sweat traps the particles to his sticky skin by now. The last one through is being helped by someone due to an injury. Steve's body groans under the weight of the store front. He can't hold it forever. ] Don't jostle them too much. [ For whatever pain he's in he knows they're in more. He doesn't want them to make it worse. He'll just have to hold it.
They get clear and Steve pushes back against the column. A groan escaping him as he pushes harder. Something metal. Piping maybe? It punctures his back and he howls. He doesn't stop though. Instead he pushes through it and buys himself some time to roll clear as the front finally comes down. The chaos and commotion makes the citizens trapped run and Steve's left with the injured party on the street. He hoists them up into his arms and he starts to cart this person to the public gymnasium. ]
c; do we get what we deserve?
[ Steve has a moment finally. Breathing heavy, dirty and grimy. He's holding together though. Probably more than most of the citizens that are here. He fires out a message. ]
Sound off if you're okay.
[ For the people he knows. The ones he considers close. The ones he needs to know are okay or if they do need his help. ]
d; who can you trust?
[ It's tough to get Steve to sit down. Tough to get him to stop moving. Which is probably why he's rarely seen inside of the gymnasium to take a rest or to take cover. Instead he's on the streets. Spending most of his time recovering whoever needs him. His device close at hand in case it's the only way to get in touch. When it's time to get everything squared away and cleaned he's out there as well. Bandaged and tired looking. His beard has more dust and dirt in it. Hair sweaty and pushed back every chance he gets. But he doesn't stop moving. For whatever pain he's in or whatever exhaustion he's feeling Steve is stubborn and he keeps moving. ]
[ OOC: Steve is basically running around an helping. Feel free to write another way to meet up with him. These are not the law. But just don't tell him to sit down because chances are he'll ignore you. If you have any questions feel free to PP me or hit me on plurk under mikaelson. ]
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Steve! [ She immediately makes her way towards him, to help him. When she gets to his side, she notices his side.] You're hurt. [ She looks at him worriedly, not surprised that the wonderful guy she'd been on a date with was playing the part of superhero. That's what he was, after all. ] Let me help you. [ Carry this person, get them help as well as him.]
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WELL I THOUGHT I TAGGED THIS ugh
LOL. it's okay.
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a, surprise surprise
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joshua faraday | closed
[ He's at home when it happens. Surprisingly he's not with Gwen. Which is probably for the best because he figures that with the chaos, destruction and injured parties she's probably going to be needed. Given that she's crazy good at helping people. His apartment came equipped with a bookcase, but Faraday hasn't read a single thing on it. It's kind of just decoration at this point. Something that's there and that he doesn't trouble himself with.
When it starts he's not sure what's happening at first. His brain eventually jumps to an explosion maybe? The ground shook like this when he used the dynamite. Maybe this was just like that? But it doesn't stop. It doesn't dissipate quickly. Things in his apartment. Plaster cracks and breaks. His ceiling groans and bellows under the pressure. Before he can really do anything with himself the bookcase tumbles. Faraday tries to stop it from coming down, but he's not prepared. It takes him down.
He must've cracked his head on the edge of the coffee table because when he comes to it's dust and chaotic sounds outside. He tries to move his right hand, but it won't budge. His gaze focuses and the bookshelf has it pinned complete. He can't get enough leverage to push it up. Not without injuring himself more. He reaches for his device and scrolls through blurry eyed. The back of his head is sticky and wet. When he finally lands on a name he knows he sends the quickest message he can. ]
Gonna need some help.
b; five cc's of whiskey (for gwen)
[ He's out of it a little, but he won't stay inside the gymnasium. He's broken away from Sansa for a bit. His mind on Gwen and what she could be doing out there. He knows that they got buildings that are unsafe and if one comes down on her maybe she'd be okay, but he doesn't think that's a good chance to take. He lingers outside of the gymnasium. His phone in hand until he can't take it anymore. He's tried not to contact her to let her do her hero thing, but he does it anyways. ]
Send up a flare or something and let me know you're alright, girl.
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Where are you? Are you injured?
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joshua faraday | open
Ava Anatalya Orlova | Marvel
[She's in her apartment when it happens. She can feel it when it starts, the way the energy of it ebbs and builds, but she's not fast enough. All she has time for is grabbing her bag from a hole in the wall and moving into the hallway. She yells at anyone that can hear to get down, but there's already the sound of it, the way it tears through the city. It flings her to the ground as the world around her shakes and it reminds her so much of being nine years old again, caught in ashes as the world shook.
The lights flicker and as soon as she can get to her feet she does, shaking off chunks of plaster from the ceiling above that cracked and caved. But she's moving into action-- knocking on doors, moving rubble and doing what she can to get to people. Once she's moved through her building, she's heading toward the center, stopping to help anyone that looks like they might need it.
Although, if someone looks like the sort that's running into the chaos instead of away from it, she might flag them down. For all that she's capable of, she is five foot nothing, so she could use some help in man-handling people out of awkward places by virtue of body mechanics, if nothing else. Her eyes glowing ice blue, using her powers to stabilize a metal beam warped in the quake that had been seconds away from snapping, but she could use a little help, here.] --Hey, can you help me get them down?
two.
[Once the majority of people seem to be out of harms way, she settles in at the gymnasium, field medicine to help with cuts and bruises. She keeps a fully-stocked kit in her bag, but there end up being more than enough supplies. So anyone that enters with obvious cuts or bruises can expect a visit from a petite redhead once they get settled at their cot, her voice warm as she quietly insists to see their injuries.
Come in with something worse, and she'll make sure you're seen to before you have a chance to get settled.] Nothing personal- they just don't want blood on the cots. [She shrugs a little sympathetically, keeping her voice light as she fiddles with the gauze and disinfectant. She works diligently, helping as much as she can, forgetting about herself in the process. Someone might be inclined to make her sit down and drink some water out of a dixie cup and eat a granola bar.
But in the end she doesn't stay. Someone with sharp eyes might catch that once she finishes up, she's slipping out of the gymnasium and heading back into town. Not toward the residences, either- she figures that she did enough good to offset a minor case of breaking and entering. Away from where the blast hit, abandoned but not crumbling. Looking for a basement or a storeroom. Someplace that'll be safe enough, at least for the night.]
three.
[Wildcard me! PM me or hit me up on plurk at
2.
It's really not that bad. There are far worse.
[And yet here he is.]
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gwen stacy ∴ spider-gwen ( ota )
[ it's not a bird, nor a plane, but a spider-totem! Gwen's out and about in her costume before the quake is even fully over, used to springing into action as soon as there's a slight rumble in the city. she might've spent two years in Eudio, but the short trip home before coming here brought her right back up to superhero speed, reflexes quick when she thinks the city is in danger. and boy, it's in danger right now, isn't it?
so far it's been a lot of swinging around patching up crumbled structures with webbing so people can get out before it falls, but sometimes, like right now, she's helping someone out from one of the upper floors of an apartment complex ]
Just trust me, okay? [ it's probably hard to trust a girl wearing an all white mask with big pink-outlined eyes hanging from a thin web, but. well. she's holding her hand out for you and the building isn't very stable ] I've got you, I promise. I promise. Just grab my hand and hold on tight - I'll get you out of here.
after
[ and now! Gwen's laying on a cot, still in her costume, but at least her dusty mask is off now. hero'ing is Exhausting, even with her spider-stamina, it still took a lot out of her to rush around pulling people out of buildings and trying to patch them up and catching debris and blahblahblah. it's not the first time she's had to do something like this, but usually there's a Bad Guy to focus on, someone roughing up the city. usually there's a way to stop it. but now she feels antsy even as she tries to chill out and catch her breath. what if there's another earthquake? does she even have it in her to get up off her ass again and help like before?
she doesn't snap out of her train of thought until someone's waving a waterbottle in her face. she can hear that they're talking, but she only tunes in at the end of their sentence. ]
Oh, shit. Thanks. [ she takes the waterbottle, twisting off the cap and kind of sitting up just enough to dump it unto her mouth without choking. she's not even hurt, she's just exhausted. she doesn't seem to care that some of it spills onto her face. who cares. it kind of feels good, actually. ] --Don't tell anyone I just dribbled like a four year-old, okay?
Matt Murdock | Open to Alll
It's not the most decorative place. He's out of bed fighting for the center of the room remembering there are windows to stay away from. For the moments that the quake lasts all he can hear is the rumbling and his own desperate breathing. The dresser toppled. The window is broken. He's barefoot.
Fuck.
The world around him comes alive with noises again. Car alarms. Screaming. Crying. It's almost all too much. Easy, Matthew. Easy. He takes slow shuffling steps, listening to class crunch on his hardwood floor.
Shoes. Cane. Maybe a shirt. Heightened senses don't take up as much time to collect these things as it would have been but it's much longer than necessary. Stepping out of his apartment door there's chaos in the hallway. People scrambling down from the stairwell.]
Hey! Hey! Careful.
B. Out and About
[There are places to gather, to be safe from the wreckage and rubble. Matt meant to go there. Meant to. Except there are voices in the air calling out. Cries for help. Cries of anguish and fear.
Is that a gun being cocked?]
C. Gimme Shelter
So. This is cozy.
[He's seated on a cot. No red shades to hide his blind eyes. So many people together in one room. Matt's lips purse as collapses his cane. Knuckles are bloody and he's got dirt and glass in his hair. He's keeping his ears open for familiar voices.]
B /backdated like whoa
It's almost hysteria and the fact it's dark just makes everything that much worse.
She doesn't find Matt, much to her distress, but she keeps an outward cool when dealing with the other citizens. As much as she can considering what is going on around her. Seeing someone cock a gun and pointing it at someone else in an escalated altercation, Nat is quick to shoot off one of her Widow bites into the arm holding the gun. The man cries out and the gun drops to the ground, miraculously not going off. ]
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oliver queen ➹ open
↪ truth is to me that I was caught in the storm (for kara)
↪ wildcard
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in the daylight hours, kara had let herself sink into the patterns of heroism, lifting rubble and pulling people to safety, but as the harsh beat of the sun had dipped below the horizon, even kara could recognize the limits of her particular skill set. she offered no capacity to heal, nor to create food or water on demand. now, as twilight takes over, the city's wounded and trapped have been pulled to safety; they congregate in a crowded community center, queue for food and medical treatment, and wait.
she's never been particularly good at waiting.
as for oliver, she'd known he was okay. she'd seen him, earlier in the day; they'd exchanged tense glances, nods of understanding; you're alive. that was enough. that was then. this is now. and now, she needs to know that he's more than just okay.
they land in soft grass, and his legs buckle underneath him, exhaustion evident in each motion of his body. kara sinks down beside him, pulls his body in to hers, cradles his head in her lap; it lets her brush the hood down to his shoulders, smooth her fingertips across his forehead, wiping the dirt away from the corners of his eyes. )
Oliver, ( her tone is soft, reassuring; her touch is gentle, too, as she brushes her thumb against his temple. ) I'm always going to take care of you.
( she's quiet for a moment, listening to the sound of his breathing, occasionally scanning a limb or two for broken bones or other injuries evident via x-rays. )
I'm just glad you're okay.
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jace herondale; open